Yunfei Ren works across painting, installation, and photography, constructing temporal portals that collapse the boundaries between past and present. His practice engages with history, language, and global migration, mapping cycles of movement, regeneration, and recurrence. Through the interplay of images and materials, Ren’s work explores the reverberations of memory and the circulation of histories across time. His work has been exhibited at The Guardhouse at Fort Mason (2024), de Young Museum (2023, 2020), Stanford University (2022), and the Chinese Historical Society Museum (2021), and has been featured in The Washington Post.